This week on the 1-2-1 show I chat with Tom Giles, the CEO of StageBloc, a platform designed for artist, brands and fans.
It can work as the artist’s official fansite allowing for a wide variety of interactions (including sales), but it can also be used to promote a single release. Stagebloc has already worked the likes of Justin Timberlake (The Tennessee Kids),Kid Rock (Rebel Soldiers), and the Pixies but is available to any band with a free and paid tier.
This week on the 1-2-1 show I chat with Tom Giles, the CEO of StageBloc, a platform designed for artist, brands and fans.
It can work as the artist’s official fansite allowing for a wide variety of interactions (including sales), but it can also be used to promote a single release. Stagebloc has already worked the likes of Justin Timberlake (The Tennessee Kids),Kid Rock (Rebel Soldiers), and the Pixies but is available to any band with a free and paid tier.
This week on the 1-2-1 show I chat with Tom Giles, the CEO of StageBloc, a platform designed for artist, brands and fans.
It can work as the artist’s official fansite allowing for a wide variety of interactions (including sales), but it can also be used to promote a single release. Stagebloc has already worked the likes of Justin Timberlake (The Tennessee Kids),Kid Rock (Rebel Soldiers), and the Pixies but is available to any band with a free and paid tier.
This week on Digital Music Trends we cover The Most News Ever. Only kidding, but it’s a hefty number of stories and I couldn’t have done it without the help of Stuart Dredge and Darren Hemmings.
This week we talk about:
– the public launch of MySpace, Justin Timberlake’s involvement and the Merlin rights issue.
– Redigi’s upcoming European launch, legal implications and potential repercussions on the industry (if anyone can be bothered to use it)
– Kim Dotcom’s launch of Mega amongst much fanfare, but what’s the potential piracy impact?
– digital distribution price wars as Fandalism offers first free and then cheap iTunes, Spotify and Google Play uploads
– the KLF releases slipping through checks and getting released without permission on iTunes and Spotify
– flexibility price of streaming subscriptions as Rhapsody launches a $5 tier tied to the MetroPCS carrier
– the astonishing story of music sales in Sweden where growth is in the double digits, and is anything happening out there applicable in the UK or is it simply a cultural difference
– a quick update on HMV, as the group starts to
This week on Digital Music Trends we cover The Most News Ever. Only kidding, but it’s a hefty number of stories and I couldn’t have done it without the help of Stuart Dredge and Darren Hemmings.
This week we talk about:
– the public launch of MySpace, Justin Timberlake’s involvement and the Merlin rights issue.
– Redigi’s upcoming European launch, legal implications and potential repercussions on the industry (if anyone can be bothered to use it)
– Kim Dotcom’s launch of Mega amongst much fanfare, but what’s the potential piracy impact?
– digital distribution price wars as Fandalism offers first free and then cheap iTunes, Spotify and Google Play uploads
– the KLF releases slipping through checks and getting released without permission on iTunes and Spotify
– flexibility price of streaming subscriptions as Rhapsody launches a $5 tier tied to the MetroPCS carrier
– the astonishing story of music sales in Sweden where growth is in the double digits, and is anything happening out there applicable in the UK or is it simply a cultural difference
– a quick update on HMV, as the group starts to
